The many advantages of shooting in S-Log
Shoot with a combination of S-Log and S-Gamut, and your material can retain a wider color gamut, dynamic range, and tonal range than with traditional techniques. This image information provides exceptional flexibility in color grading, as you give scenes the look you envisioned..
What is the difference between raw and ProRes?
ProRes is one of the most well-known and widely used video file formats. It combines extremely high image quality with small file sizes for efficient playback. ProRes RAW is the relatively new kid on the block and adds the power of RAW video to the benefits of the ProRes codec.
Why is log so flat?
A “flat image” retains more information in the highlights and shadows – the shadows are lighter and the highlights are darker, giving you an image which lacks contrast, it looks “flat”.
Is 4K better than ProRes?
Is blackmagic raw better than ProRes?
Again, ProRes RAW won over the Blackmagic RAW as it is noisier, but it preserves more details in the noise. There is no noise reduction whatsoever in the case of ProRes RAW.
Is ProRes better than H 265?
While HEVC/h. 265 is slightly newer and a great delivery and consumer-level camera format, ProRes still has very real advantages for professional use.
Can iPhone shoot in ProRes?
On iPhone 13 Pro and iPhone 13 Pro Max, you can use Camera to record and edit videos in ProRes, which offers higher color fidelity and less compression (iOS 15.1 or later). ProRes is available on all cameras, including the front camera.
Is ProRes an HDR?
ProRes RAW brings to raw video the same great performance, quality, and ease of use that ProRes has brought to conventional video, in a format ideal for high-dynamic-range (HDR) content creation in Final Cut Pro.
Is Blackmagic RAW 10 bit? Images are encoded using a custom non‑linear 12‑bit space designed to provide the maximum amount of color data and dynamic range. Unlike traditional RAW workflows that rely on LUTs which alter the pixel data in a harsh way, Blackmagic RAW is non destructive.
Should you always film in log?
First and foremost is the fact that shooting in log isn’t always necessary. Because log is primarily designed to maximize dynamic range, it makes sense to shoot log in tricky lighting conditions where you expect there to be both extremely bright and dark parts in the image.
Should I shoot ProRes or BRAW?
According to Sherif’s analysis, ProRes RAW is more… real raw than BRAW. And external BRAW is less accurate (in terms of White Balancing) compared to internal BRAW from Blackmagic cameras. But generally speaking, ProRes RAW won.
How do you color grade logs?
What is a flat color profile?
Can DaVinci Resolve read ProRes?
Let’s take a look. If you’re using DaVinci Resolve for your post-production needs, you likely already know that the NLE doesn’t support the ubiquitous ProRes RAW.
Is BRAW raw? BRAW is a true RAW format, it’s just that there is some processing done in-camera. You can adjust WB, ISO and many other parameters in post without any issue.
Is Blackmagic RAW real raw?
What is the difference between Apple ProRes 422 and 422 HQ? Apple ProRes 422 HQ is a higher-data-rate version of Apple ProRes 422 that preserves visual quality at the same high level as Apple ProRes 4444 but for 4:2:2 image sources.
How do you expose for slog2?
How do you shoot in log mode?
Is HLG better than slog?
HLG3 is easier to handle during the production (it does not have to be 2 stops overexposed). Even more important, HLG delivers more accurate skin tones and an overall sharper image. Objectively, HLG3 is the clear winner.
Does A7S have s log?
The Sony A7S III has two different Log profiles to choose from: S-Log2 and S-Log3. S-Log2 is good, but S-Log3 is less contrasty and easier to grade.
Should you overexpose slog3?
Gerald Undone recommends overexposing your slog3 footage by about 1.66 stops to minimize noise and maximize dynamic range. But he also mentions exposing correctly by exposing a middle gray card at 41% is adequate as well.
Can you shoot raw and log at the same time?
So, going back to our original question, “Is shooting Log like shooting Raw?” The answer is still “yes and no.” Hopefully, now you can see why. Raw is not Log because Log is in a video format, and Raw is not video. Raw data has no video processing baked in and has to be converted into video for viewing.
Should I film in raw?
“To shoot RAW means to thicken the color of your images, making them more dense—a lot more data provides more headroom to push and pull footage in post, to correct errors made during shooting, as well as to shape the look and feel of your film.” The advantages are plenty and aren’t nearly as costly as they seem.
What is Canon Log? Canon Log is a staple feature in Canon’s Cinema EOS range and is designed to deliver an 800 percent increase in dynamic range, minimising the loss of detail in the darkest and brightest parts of the image.
Is ProRes a log format?
Log ProRes is imported into your NLE the same way REC709 ProRes is imported. Begin by appending footage into a timeline. The log difference is seen when viewing a clip either from a source Event or in a Timeline.
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